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2018-19: Material World

Diploma 12 is interested in instrumenting change through the strategic implementation of architectural practice. Using the design of strategically deployed events as a catalyst, we will build material worlds of our own that are carefully crafted for future communities, creating visionary architectural models that reflect their precise ideals and dreams.

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#airport#artificiality#Backofhouse#Decor#designeddesires#designedexperiences#designedillusions#epictheater#FrontofHouse#guestroom#hotel#hotels#interior#interiorworld#lifestyle#luxuryretail#marble#materialthreshold#methodology#practice-expert#short #score #animation #paralleldataagency#stage#staging#standardization#subject-expert#techniques#trauma #rules #worldbuilding40 °C6x9A.I.a.IDAA SchoolabandonedAccretive SpaceactivismAdaptationadvertaffordanceagencyagingAIairplanesalgorithmic citizenalgorithmsalienlanguageAmericaanalysisAnarchic SocietyAnarchyanimationannunciationantarcticaappearancesAR zooArchitectureArchiveArtartefactsArtificial IntelligenceArtNetarts and craft architectureAsassins CreedassembleasylumAtonomyAugmented RealityauthorityauthorshipAutomationAutonomyAxonometricBabylonBarbicanbarterBathroomBeautiful WritingBehaviourbiasbig databinarybinary truthBio-CentricbladerunnerBlindfoldblockchainblueblue sky researchBodybookbooksBrazilbrazilian musicbreaking fourth 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A score in the making

April 6, 2018 - 2017

Each ring represents the “edits” the city goes through after a trauma and how they can be altered once the Parallel Data Agency -a collective that aims to expose the hidden forces that direct a trauma in the city to reshape the collective memory- intervenes.

 

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dip12score

 

One thought on “A score in the making

Manijeh Verghese

HI Dina, This is great start to your score but it would be good to see more information now layered on top of it. If you think of it as the mechanism of the Parallel Data Agency then how do you show different traumas as the input and the reaction of the media, speed changing and time passing over the years, the resulting edits and then what emerges from it that changes our experience? Keep adding your research and work so far onto it in layers so it really comes to life as an explanation of the Parallel Data Agency as a practice and the strategies they employ to change our experience of a trauma.

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