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2018-19: Material World

Diploma 12 is interested in instrumenting change through the strategic implementation of architectural practice. Using the design of strategically deployed events as a catalyst, we will build material worlds of our own that are carefully crafted for future communities, creating visionary architectural models that reflect their precise ideals and dreams.

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#airport#artificiality#Backofhouse#Decor#designeddesires#designedexperiences#designedillusions#epictheater#FrontofHouse#guestroom#hotel#hotels#interior#interiorworld#lifestyle#luxuryretail#marble#materialthreshold#methodology#practice-expert#short #score #animation #paralleldataagency#stage#staging#standardization#subject-expert#techniques#trauma #rules #worldbuilding40 °C6x9A.I.a.IDAA SchoolabandonedAccretive SpaceactivismAdaptationadvertaffordanceagencyagingAIairplanesalgorithmic citizenalgorithmsalienlanguageAmericaanalysisAnarchic SocietyAnarchyanimationannunciationantarcticaappearancesAR zooArchitectureArchiveArtartefactsArtificial IntelligenceArtNetarts and craft architectureAsassins CreedassembleasylumAtonomyAugmented RealityauthorityauthorshipAutomationAutonomyAxonometricBabylonBarbicanbarterBathroomBeautiful WritingBehaviourbiasbig databinarybinary truthBio-CentricbladerunnerBlindfoldblockchainblueblue sky researchBodybookbooksBrazilbrazilian musicbreaking fourth 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Images of Conviction – The Construction of Visual Evidence

September 24, 2017 - 2017

An exhibition at the Photographer’s Gallery in 2015

Images of Conviction is a fascinating historical survey of the ways photography has shaped official versions of truth — from the Shroud of Turin to crime-scene photography of the freshly dead, to video evidence of drone strikes. The design is sedate but never boring, alternating between pale gray and clean white paper. The images are all reproduced in black and white, with a chilling negative image printed on the cover. “Everything is made so that the catalogue stays neutral, but not cold,” says Julien Frydman, who also praises the diverse, well-edited texts. The volume offers a variety of answers to the question posed by editor Diane Dufour in her introduction — “How does the image take shape in truth-seeking scientific and historical discourse?”— without losing its sense of mystery.

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