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2018-19: Material World

Diploma 12 is interested in instrumenting change through the strategic implementation of architectural practice. Using the design of strategically deployed events as a catalyst, we will build material worlds of our own that are carefully crafted for future communities, creating visionary architectural models that reflect their precise ideals and dreams.

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#airport#artificiality#Backofhouse#Decor#designeddesires#designedexperiences#designedillusions#epictheater#FrontofHouse#guestroom#hotel#hotels#interior#interiorworld#lifestyle#luxuryretail#marble#materialthreshold#methodology#practice-expert#short #score #animation #paralleldataagency#stage#staging#standardization#subject-expert#techniques#trauma #rules #worldbuilding40 °C6x9A.I.a.IDAA SchoolabandonedAccretive SpaceactivismAdaptationadvertaffordanceagencyagingAIairplanesalgorithmic citizenalgorithmsalienlanguageAmericaanalysisAnarchic SocietyAnarchyanimationannunciationantarcticaappearancesAR zooArchitectureArchiveArtartefactsArtificial IntelligenceArtNetarts and craft architectureAsassins CreedassembleasylumAtonomyAugmented RealityauthorityauthorshipAutomationAutonomyAxonometricBabylonBarbicanbarterBathroomBeautiful WritingBehaviourbiasbig databinarybinary truthBio-CentricbladerunnerBlindfoldblockchainblueblue sky researchBodybookbooksBrazilbrazilian musicbreaking fourth 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The Quietude of Paris, Texas (1984); The American West through the Lens of Wim Wenders

January 13, 2019 - 2018

Paris, Texas thrives in the silence and mystery: This is a movie that seems most profound when it’s saying the absolute least, privileging iconography over psychology. Viewing the world through a windshield, it lingers on highways, roadside diners, grand canyons, gas stations, billboards, flickering neon signs, stretches of lonely desert, phone booths, and the gigantic dinosaur sculptures of Cabazon, California. The scenery shifts from the arid expanses of rural Texas to the verdant hills of Los Angeles to the glass and steel of Houston. Even when the characters are inside, they tend to be framed against windows, a vast backdrop greeting them from the other side of the glass.”

 

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