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2018-19: Material World

Diploma 12 is interested in instrumenting change through the strategic implementation of architectural practice. Using the design of strategically deployed events as a catalyst, we will build material worlds of our own that are carefully crafted for future communities, creating visionary architectural models that reflect their precise ideals and dreams.

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#airport#artificiality#Backofhouse#Decor#designeddesires#designedexperiences#designedillusions#epictheater#FrontofHouse#guestroom#hotel#hotels#interior#interiorworld#lifestyle#luxuryretail#marble#materialthreshold#methodology#practice-expert#short #score #animation #paralleldataagency#stage#staging#standardization#subject-expert#techniques#trauma #rules #worldbuilding40 °C6x9A.I.a.IDAA SchoolabandonedAccretive SpaceactivismAdaptationadvertaffordanceagencyagingAIairplanesalgorithmic citizenalgorithmsalienlanguageAmericaanalysisAnarchic SocietyAnarchyanimationannunciationantarcticaappearancesAR zooArchitectureArchiveArtartefactsArtificial IntelligenceArtNetarts and craft architectureAsassins CreedassembleasylumAtonomyAugmented RealityauthorityauthorshipAutomationAutonomyAxonometricBabylonBarbicanbarterBathroomBeautiful WritingBehaviourbiasbig databinarybinary truthBio-CentricbladerunnerBlindfoldblockchainblueblue sky researchBodybookbooksBrazilbrazilian musicbreaking fourth 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VICTIMS

April 26, 2018 - 2017

 

“When I examine his plans it occurs to me that, throughout the history of Architecture, plans have changed the least. This, I think, is a curious phenomenon. It is sometimes stated that the plan is a horizontal section, in relation to the well-known vertical section of architecture. So it may be, but I think architectural plans are something else. I think they are architecture in a state of sleep. Plans are sleeping architecture that, in the extreme, are architecture in death. We tend not to want to disturb architectural plans, for they are so still and so quiet, abstract and awesome. The plan shows the death of the soul of architecture. It is an X-ray of the soul. The plan returns architecture to a state of timelessness. The plan has no need for clothes or ornamentation; it carries with it an inevitability. The plan is sacred and inviolate.” -Jedjuk

understanding the plan as a dynamic rather than still object, one that can portray the ideas and movement of the “structures” themselves rather than that of the occupants within them, also showing the machines as a series of connected interruptions within the city can help drive the design of the machines of memory forward.

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